Script to Pieces: The Big Screen Buffy Reboot

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Wicked Horror is the author of Script to Pieces: The Big Screen Buffy Reboot. Wicked Horror is the internet's only horror fan site for free original horror movies, news, review & more.

Welcome to Script to Pieces, a recurring feature at Wicked Horror where we look at the best, most interesting and at times most unbelievable horror movies that never happened. Sometimes these will be productions that never came together at all, other times, they will be original incarnations that were completely different from what we wound up with. Each should be fascinating in its own way, because the stories of movies that never see the light of day can sometimes be even more interesting than the stories of those that do. Sometimes, as a fan, it’s hard to think that Buffy the Vampire Slayer went off the air in 2003. It’s been and has remained a part of so many people’s lives that it’s easy to forget that it’s been over fifteen years. There have been so many attempts over time to revisit the world of those characters, almost all of them with original creator Joss Whedon involved. After Buffy ended, gears were shifted toward the creation of an animated series. A pilot was made, but the show did not get picked up. For a while, it looked as though Giles would receive his own spinoff, Ripper, written and directed by Whedon himself. For a time, it seemed that that would happen before Buffy even ended, and there were several attempts made—most of them through the BBC—to make it a reality over the course of several years. A Faith TV series, Slayer School, a Spike TV movie, all these things came close to becoming a reality, but nothing ever quite made it. In the late 2000s, meanwhile, we started to see a lot of attempts to revive recognizable vampire brands thanks to the massive pop culture phenomenon that was Twilight. In 2011, we even got a Fright Night remake written by none other than Buffy’s Marti Noxon. It only made sense, then, that in 2009, the reboot was announced. Of course, Buffy the Vampire Slayer began life as a movie even though most people certainly remember the show. The movie was not a success at the time, though it did eventually become a cult favorite. Fran Rubel Kuzui and Kaz Kuzui, who produced the show with Fran directing the original film, partnered with Vertigo Entertainment’s Roy Lee and Doug Davidson to begin developing Buffy the Vampire Slayer as a new movie for the big screen. It would not, it seemed, take place in the same continuity as Whedon’s TV show, but the hope was for it to be an “event” with “franchise potential.” Also See: Ten Episodes of Buffy that Changed Television It’s surprisingly unclear exactly what the movie would have been, as there are a lot of conflicting reports. This was around the same time that The Amazing Spider-Man was in development. Vampire stories were definitely catering to a teenage crowd. So initial reports that the movie would not be set in high school were surprising. Especially considering the fact that, if they wanted to center on characters that were a little older, why not use the cast of the show? Then there were reports that the movie would center on a new slayer and not necessarily Buffy herself. That’s a good idea considering it would allow the film to be set in the universe of the TV show while also telling a completely new story. But it’s also confusing because the reboot was definitely going to be called Buffy the Vampire Slayer. That part, at least, was always very clear. Rumors began circulating that Vanessa Hudgens was being eyed to portray the new slayer. It seemed that the approach was for her to be a new, younger slayer and rumors even started that Sarah Michelle Gellar was being courted to return as an older Buffy guiding and training the new slayer. That, I think, would have made the reboot easier to swallow for most fans. It would have kept the original Buffy and just made the new film a story within that universe. It would also make sense to bring in Gellar’s Buffy for a passing of the torch. Those rumors did not seem to be unsubstantiated, but Hudgens apparently turned it down because she considered that with Twilight still a big success, the market was just oversaturated with vampire content. What really made people nervous, though, was the absence of creator Joss Whedon. So much of the show had been his own creative vision and since Buffy went off the air, not even a comic book had been made without his involvement, with Whedon himself even writing some of those comics while in the midst of directing his two Avengers movies. The cast of the show all proved to be vocally against the notion of doing Buffy without Whedon’s involvement. Gellar called the attempt without him “the dumbest idea I’ve ever heard.” Alyson Hannigan said “If Joss isn’t involved, it’s only the title.” And others such as David Boreanaz, Anthony Stewart Head and Seth Green echoed those statements. Whedon himself was refreshingly coy about it, even though he could not have been happy. When actually asked for a comment, he responded: “This is a sad, sad reflection on our times, when people must feed off the carcasses of beloved stories from their youths—just because they can’t think of an original idea of their own, like I did with my Avengers idea that I made up myself.” The original Buffy, Kristy Swanson, was vocally in support of the reboot which she hoped would be more in line with the original film than the television show, and said that it would be “fantastic” if she could be a part of the film. In 2010, Warner Bros. joined with Vertigo Entertainment and the Kuzuis to produce the new movie. Whit Anderson was hired to write the script. At the time, she was a surprising choice because she didn’t have a lot of work under her belt and was primarily known as an actress with small roles in Yes Man and as Jill in the short animated comic Saw Rebirth. Since being hired to write the script for the Buffy reboot, however, Anderson has garnered some major writing credits, on shows such as Allegiance, Ozark and Daredevil. That last one is especially worth noting as it is a show spearheaded by Buffy writers, including Drew Goddard, Doug Petrie and Steven S. DeKnight. Then, in 2011, things started to slow. The L.A. Times reported that development of the reboot had halted as the producers were not happy with the script Whit Anderson had written. She was then taken off the project, which was put on indefinite hiatus. That was the last we ever heard about that incarnation of the series. In 2018, a new Buffy reboot was announced for television. It made a lot of people mad until the new showrunner, Monica Owusu-Breen, confirmed that it would be set within the same universe and focus on a new slayer, serving as an extension of the original series and its world more than anything else. She also revealed that her new take on the material had Joss Whedon’s full support and that he was guiding her when needed. The creator, by all accounts, seemed to agree that it was a perfect time for a new voice to take a fresh approach to the material.

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Not Quite Horror: Hold The Dark (2018)

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Wicked Horror is the author of Not Quite Horror: Hold The Dark (2018). Wicked Horror is the internet's only horror fan site for free original horror movies, news, review & more.

Not Quite Horror is back from the dead. After resting for a bit in its kind-of creepy but still-normal-enough-to-pass-as-regular crypt, our biweekly series returns. In each installment, Joey Keogh will argue why a chosen film not generally classified as horror actually exhibits many of the qualities of a great flight flick, and therefore deserves the attention of fans as an example of Not Quite Horror. This week, it’s Jeremy Saulnier’s Alaskan nightmare Hold The Dark. Hold The Dark, Jeremy Saulnier’s follow-up to the near perfect double bill of Blue Ruin and Green Room, is a slighter effort than his previous two. It’s also the filmmaker’s first adaptation, which might explain why it lacks some of the bite and edge we’ve come to expect from Saulnier. Still, this tight, tense genre exercise contains, as its title suggests, more darkness than you’d expect. See Also: Green Room is the First Great Horror Movie of 2016 [Review] The permanently tortured Jeffrey Wright, taking a well-earned break from Westworld, is a writer and wolf expert summoned to the fictional town of Keelut, Alaska by Riley Keough’s grieving mother, whose son has apparently been taken by wolves, along with several other local children. As with the similarly themed and snowily capped Wind River, the ensuing mystery isn’t nearly as complex as any of its key players assume it to be. Hold The Dark is a messy, sprawling adaptation but the mood is impressively somber. Wright’s impassioned central performance suggests a lifetime of suffering, particularly when it comes to his strained relationship with his adult daughter (hinted at only until the film’s final moments, which seem to offer a kind of closure). He’s tasked with quite literally carrying the film from scene to scene and does so with aplomb. Keough does solid work, once again, as a mother with a dark secret. One key sequence finds her stripping naked and putting on a creepy wooden mask, before advancing towards Wright, whose character is sleeping on her sofa. It’s not clear in the moment whether she wants to kiss him or kill him, and that tightrope walk, for a woman the townspeople reckon “knows evil,” is expertly done. Saulnier’s old buddy Macon Blair scripted Hold The Dark, but he also (happily) pops up in a cameo as a coke-snorting no-good type who sells out Alexander Skarsgård’s dodgy Vernon (husband of Keough’s Medora, stationed in Iraq when the story begins) and gets a knife to the head for his troubles. As with Saulnier’s previous works, there are flashes of grisly ultra-violence here that come out of nowhere and rouse the film from its snowy stupor. In particular, a bloody shootout, which goes on for extended minutes of screen-time, is stomach-churning. We’ve become so desensitized to these kinds of displays in action and even superhero movies that they rarely sting anymore but what Saulnier crafts is truly gruesome. Even when it seems he’s dealing in Native American myth and grandiose, dark fairy-tales, the emphasis is on human cost. Related: Not Quite Horror: Thoroughbreds That cost is felt most acutely by the grieving parents at the core of the story, but when their motives are revealed to be dodgy at best, it becomes clear Wright’s depressed author is really the one struggling to get by in this harsh clime. As with Wind River, Hold The Dark uses its stunning, isolated landscapes (the film was shot in Alberta, Canada, which doubled for Alaska) to emphasize its characters’ inner turmoil. Although there are lulls in the action and some of the finer plot-points don’t entirely add up, Hold The Dark is an impressively dark tale of repression, desperation, and the constant struggle to be a good parent, and person, in increasingly difficult circumstances. It’s less in-your-face than Green Room, and nowhere near as ruminative as Blue Ruin, but Hold The Dark holds its own as an uneasy exercise in escalating tension with a few nasty shocks up its sleeve.

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New on Netflix: April 19, 2019

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Wicked Horror is the author of New on Netflix: April 19, 2019. Wicked Horror is the internet's only horror fan site for free original horror movies, news, review & more.

Welcome to New on Netflix, a feature here at Wicked Horror in which we provide the latest updates on what’s coming to the streaming service for the week. In recent times, Netflix’s shift in content has been interesting. While many fan-favorite movies and TV shows have been Netflix staples for the better part of a decade, they’ve been taken off the service with more frequency. Some of them return, some of them don’t, and while these are all simply the result of licensing deals that were already in place before these properties even hit the service, they do shed some light on the content provider’s new focus. Netflix is continuing to shift gears away from movies and TV shows owned by other studios or companies and is producing their own content with staggering frequency. As we continue to provide updates on what’s been added to the service, it will always be interesting to note the balance between original and licensed content being added to the Netflix library. With that in mind, here are the latest Netflix additions for the week of April 19, 2019. The Silence  The Silence does not have time on its side. It is based on a book that predates A Quiet Place and the movie was in development, or at least nearly in development, before A Quiet Place took off. Yet now that it’s here, it can’t quite help but look like anything but an imitation of that massive phenomenon, even though it isn’t. Because of that context, it’s still definitely worth a look and it features a great cast spearheaded by Stanley Tucci.

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RIP Lorraine Warren, Thanks For the Scares

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Wicked Horror is the author of RIP Lorraine Warren, Thanks For the Scares. Wicked Horror is the internet's only horror fan site for free original horror movies, news, review & more.

The world of the paranormal has suffered a major loss this week. It was announced earlier that renowned paranormal investigator, Lorraine Rita Warren has passed away at the age of 92. Lorraine and her husband Ed were well known for their involvement in numerous cases of hauntings and demonic possession. The history of the Warren’s is a colorful one. In addition to investigating several well known cases such as Amityville, director James Wan lifted stories directly from the Warren’s case files for his films The Conjuring and The Conjuring 2, introducing a whole new generation to the Warrens. Since 1952 Lorraine and Ed Warren dedicated themselves to studying the paranormal and the search for answers when they formed The New England Society for Psychic Research. Their investigations took them all around the world and led to 6 books. They were said to have investigated over 10,000 cases. Ed and Lorraine were well known for keeping a museum in their home of cursed and haunted artifacts. These had been collected over the years during various investigations. Included in this collection is the reportedly cursed Annabelle doll that inspired the feature film series of the same name. The dire warning “Positively do not open” greets visitors when viewing it. While Ed and Lorraine were not immune from controversy and naysayers, at the minimum I think we can all agree they shined a light on the unexplained and the fact that the world is weirder than we realize, and for that I thank both of them. Godspeed Lorraine, hopefully you now have all the answers you’ve been trying to find.

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The Curse of La Llorona is a Well-Produced New Spin on a Comfortable Concept

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Wicked Horror is the author of The Curse of La Llorona is a Well-Produced New Spin on a Comfortable Concept. Wicked Horror is the internet's only horror fan site for free original horror movies, news, review & more.

When a writer sits down to imagine what could possibly terrify the largest number of movie goers, what must immediately come to mind? Primal fears, of course. Things that go bump in the night. Claws like Freddy or man’s best friend turning on him like Cujo. But what could be more horrifying to a parent than the fear of losing your children to some sort of unstoppable monster in a scenario where everyone thinks you have harmed them? What could be more frightening to a child than a mother, someone whom you have relied on for love and security, being the very thing that lurks underneath your bed? Michael Chaves’s The Curse of La Llorona explores these fears and more by Conjuring (get it?) both beloved and tired tropes of the haunting genre, while bringing a fresh cultural perspective to the mix. What in the Mexican Hell is La Llorona? According to Christine Delsol at Sfgate.com, La Llorona, translated as “The Weeping Woman” or “The Wailer” is a 500-year-old ghost story centered around a beautiful, but tragically narcissistic woman named Maria. She marries a wealthy man, “capturing” her with her predatory feminine wiles, and has two children. Throughout the course of their marriage the husband ignores her more and more while focusing his affections onto the kids. One day while walking near the river with her children, Maria catches her husband cheating with a younger woman. In a fit of rage she drowns them both in the river, but as they sink into the depths, she is gripped by guilt and throws herself into the river. Later that night, sobs can be heard coming from the river’s edge — Maria wailing for her lost children. Rechristened La Llorona, the The Weeping Woman, from that day on, legend says she can be seen walking the banks of the river at night searching for her lost children. One of the more interesting aspects of the Mexican legend that sadly did not make it into the film version comes once La Llorona attempts to cross the gates of heaven and is not allowed in because she is without her children. So she must return to Earth, doomed, searching in vain for her lost children (or at least a replacement) if here spirit is to ever move on.  And that brings us to this film. Coming to theaters in wide release today, April 19th, 2019, New Line Cinema’s iteration of the tragic tale of La Llorona stays true to the roots of the story while bringing the characteristic style and scares worthy of a James Wan-produced horror picture. One of the many tragedies surrounding the legend of La Llorona, as noted by Christine Delsol at Sfgate.com,  is the amount of forgettable movies that have been made about it. The first (and best received of the bunch) might be the 1933 Mexican film La Llorona. There have been multiple attempts since, but none seem to have been able to capture the primal terror inherent in the story of the wailing woman who comes at night to steal your children. That issue, I believe, has finally been solved by Michael Chaves’ take on the legend. The Curse of La Llorona pays homage to the traditional Mexican folktale’s roots by opening with the original sin of Maria in a dreamlike and satisfying sequence that caught many of the movie-goers in my theater off-guard.  From there the film fast forwards to the 1970s where La Llorona still stalks the night for children, first preying on members of the Mexican-American community followed soon by a Caucasion/Mexican mixed family. One might view showing this story through the eyes of a white protagonist to be a miss-step in today’s climate, though here the director approaches this aspect with care.  Good horror often exists on a boundary. Sometimes physical, sometimes emotional or cultural. Much like Candyman, this film seems to comment on white characters encroaching into non-white spaces. Then those white characters must first be confronted by cultures they don’t understand, punished for their ignorance, and finally change their thinking on those cultures to be able to fight back against the supernatural.  The Curse of La Llorona manages to evoke domestic horror through its tragically-familiar use of badly hidden cigarette-like burns on the arms of children, and the all-too-obvious excuse of “I fell down.” Some of the more frightening moments of the film, including a tense scene in the back of a car down by the river, told from the perspective of the harried children. If the film had stopped at that metaphorical connection, that might have made for a fine horror movie, but writers Mikki Daughtry and Tobias Iaconis also managed to do a good amount of work showing what it might be like for a mother not to be believed when she tells authorities about the danger facing her babies. This is wonderfully realized by Linda Cardellini’s sympathetic portrayal of Anna Tate-Garcia, a social worker who passes judgement on a poor Mexican mother’s treatment of her children. And then comes to realize perhaps she may have spoken without truly understanding the dynamics she had observed.Fans of the James Wan Conjuring Universe will be rewarded with Easter egg style references to a certain creepy doll as well as everyone’s favorite repressed ghost whisperers, the Warrens. Instead of the Warrens, we are treated to Raymond Cruz’s charismatic portrayal of fallen Catholic Priest turned rebel ghost hunter Rafael, who is one of the standout characters in horror so far this year. He’s funny, he’s tough, he’s just a little bit tragic. There, I think is the film’s breakout star, and best chance for a sequel. Rafael takes on the role of Father Merrin from The Exorcist with just a hint of the Warrens from The Conjuring, and mixes that with a healthy amount of wonderfully-fresh Mexican faith healing to treat the viewer with a new type of savior. One that works alongside the protagonist in the third act in a wonderfully collaborative climax. The Curse of La Llorona is not a perfect film. It suffers from the same epidemic of cheap jump scares and tired tropes of the haunting genre that many modern horror films do. It is, however, a good looking movie; with a charming, multi-cultural cast; a stand-out hero character; and a different cultural touchstone from many films of its genre. The final act doesn’t disappoint, even if it doesn’t completely satisfy.  If every haunting movie on the horizon this year had this much originality to go with the tropes we know and love, 2019 will be a great year for ghosts. If not for innocent families who simply just happen to share some arbitrary characteristics in common with a dead person.  Also See: Drowning and Eating Children: Mexican Folklore and the films of Guillermo del Toro       Wicked Rating: 6/10 Director(s): Michael ChavesWriter(s): Mikki Daughtry, Tobias IaconisStars:  Linda Cardellini, Raymond Cruz, Patricia VelasquezStudio/Production Company: Atomic Monster, New Line CinemaLanguage: EnglishRun Time: 93-minutes                                                                                               

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The Holidays Have Come Early With I Trapped The Devil [Review]

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Wicked Horror is the author of The Holidays Have Come Early With I Trapped The Devil [Review]. Wicked Horror is the internet's only horror fan site for free original horror movies, news, review & more.

Winter is home to many festivities: Christmas, Kwanzaa, Hanukkah, etc… No matter what or where you celebrate, there’s no denying the best part is getting to see your family, right? Sadly this is not the case for Matt and his wife Karen. After making a surprise appearance at the home of his estranged brother Steve to celebrate the holidays, Steve drops a major bombshell on the couple: There is a man trapped in the basement. But not just any man, claims Steve, because he believes that his hostage is none other than The Devil. Once they get past the initial shock, Matt and Karen now have to face facing a terrifying quandary: Has Steve completely lost his mind? Or is the stranger in question really evil in human form? Either way, string up the multicolored lights, make yourself a cup of cocoa and strap in for Josh Lobo’s new slow burn thriller, I Trapped the Devil. It just might make you love the holiday season a little bit more. Also See: Sorry Haters, the New Hellboy Rocks [Review] Now I love me a horror movie with a holiday connection incorporated into the plot. Why? Because it makes it fun. I mean, a movie about the Christmas holiday from hell? Sign me up immediately. I will confess that the build up maybe a little slow for my taste. This movie isn’t going to make you jump out of your seat with fright right out of the gate. However, it will leave you with a delightfully haunting feeling that sinks down to the pit of your stomach and lingers there like sludge. I Trapped The Devil also earns major points in my book for not being too heavy with the special effects. Even what Steve believes to be The Devil isn’t represented by some CGI mess; just a menacing voice behind a door. Simple but very effective. The result being a slow burn flick that finishes the experience off with a graceful, Black Mirror-like ending. It’s a constant mind game with twists and turns that makes viewers question everything they see. Nothing like good old fashioned paranoia to intensify your movie watching experience, am I right? Also See: The Rabid Dog’s House: Wait Until Dark I Trapped the Devil checks off most of my boxes: Original and sinister plot, gorgeous camera work, and a stellar cast, with its all-star being Susan Burke as Karen. If I did need to address a complaint it would be the lack of backstory in a few departments: Why is Steve and Matt’s relationship so strained? How did Steve decide that the person in his basement was The Devil? How long were they being held hostage? Devil or not, how did Steve trap this individual? Maybe that’s just me being nitpicky and I’ll readily admit that less is sometimes more, but it would’ve been interesting to know the answers to these pressing questions. Also See: Jordan Peele Does it Again with Us (Review)  I Trapped the Devil will premiere in select theaters and On- Demand April 26th via IFC Midnight! Do yourself a favor and give it a look! Wicked Rating: 7/10 Director(s): Josh Lobo Writer(s): Josh Lobo Stars: Susan Burke, AJ Bowen, Scott Poythress Studio/Production Company: IFC Midnight Language: English Run Time: 82 minutes

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Creepy Crate Unboxing – April 2019

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Wicked Horror is the author of Creepy Crate Unboxing – April 2019. Wicked Horror is the internet's only horror fan site for free original horror movies, news, review & more.

We all know that it’s fun to get something in the mail. Maybe it’s even a little more if you don’t really know exactly what you’re getting. For those that love spooky surprises there is a great new subscription box company out there for your needs called Creepy Crate. Brought to you by The Line-Up, Creepy Crate ships its boxes every other month and includes a variety of collectibles, from t-shirts and books, to homewares and accessories – all related to either the horror genre or true crime. Each crate is $39.99 with free shipping, and has an average value of  $85 or more! You can purchase them individually or with a 6 or 12 month subscription. Creepy Crate is back again with more great collectibles and accessories to help you celebrate all of your macabre joys every day. The April 2019 crate was a bit lighter than previous boxes (which you can read and see more of on this site) but there was still fun to be had inside. Read on to find out what was included! For your reading pleasure, this month contained double the fun. First up is a digital download for the witchy novel Conjure Wife by Fritz Leiber. What is wonderful and interesting about the inclusion of this is that this is not a new novel. Leiber was a well-known horror, sci-fi, and fantasy writer beginning in the 1930s, and is one of the fathers of the sword and sorcery genre. Conjure Wife, originally published in 1943, tells the tale of a young college professor studying magic who discovers that his wife is actually a witch and has been using spells on him. He convinces her that it’s not real, but soon learns different for himself. Leiber is an author that I am not familiar with at all yet feel I should be, so this will be a great way to be introduced to his work. The next item is a paperback copy of the novel The Collector by Fiona Cummins. This psychological thriller is described as “harrowing and horrifying” – which means I am definitely interested in it. The Collector is about Detective Sergeant Etta Fitzroy (great name) and her hunt for serial killer Brian Howley, from whom she once escaped captivity. Now he has another victim and Fitzroy must follow the clues to find her and stop him. With the back cover description promising a “terrifying twist” to this otherwise familiar tale, I think this will be the perfect to take along with me on my next vacation! A rather spooky and cute addition to the Creepy Crate is this mini spell book and matching broom pen. The black book emblazoned with a pentacle and eye is about three inches tall and contains roughly 50 pages of lined paper for you to write down all your witchy spells – or more likely, your weekly grocery list. The black ink pen resembles a classic witch’s broom. Both are small enough and adorable enough to fit in any purse and always have on hand. I’m the kind of person that loves a nice, long bath in the evening after working all day so I was stoked to get this awesome bath bomb. It contains the scents of sage (a cleansing herb, according to the Creepy Crate information page) and lavender (a purifying herb). I’ve actually never used a bath bomb before, and these two scents together promise to make a perfect addition to a relaxing bath experience. If you haven’t noticed by now, the trend going on with this month’s box is witches – a theme that works quite well considering this is their thirteenth box. Budding spellcasters can show off their interest in the occult with this beautiful “harbinger of death” necklace. The silver pendant depicts a raven, an important symbol or totem in lore and witchcraft, on top of a pentacle. The matching silver chain is also adjustable. The last Creepy Crate item this month is one that I’m sure horror fans will love. Here we have a t-shirt for the Black Hill Regional Park – and if you don’t remember what that is a reference to, then the symbol in the middle of the logo should tell you. This grey Blair Witch Project-inspired shirt is in the style of those worn by camp counselors, with the black trim on the collar and sleeves. It’s a little something different from the usual black t-shirts the overrun a horror fan’s wardrobe, so while I’m not personally a big fan of the movie, I am definitely a fan of this design! Thank you, Creepy Crate, you’ve done it again! If you like what you’ve seen here and want to get your own subscription to this fantastic box, head over to Creepy Crate here and sign up now!

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