Saturday, 31 October 2020

Wicked Horror Halloween Special: Exploring the Myth Behind Poisoned Halloween Candy


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Wicked Horror is the author of Wicked Horror Halloween Special: Exploring the Myth Behind Poisoned Halloween Candy. Wicked Horror is the internet's only horror fan site for free original horror movies, news, review & more.

It’s a warning you’ve heard at least a dozen times in your lifetime. Whether it be from parents, teachers, televised PSA’s and even the occasional horror flick; the ‘no taking candy from strangers’ rule has been etched into your brain so deep, you grow up to give the very same advice to the younger generations. There is, of course, one major acceptation to this rule: Halloween. There is still a faint tension even with the day of celebration. But with all the excitement of dressing up, spending time with friends, pulling pranks, partying and trick or treating; that gentle reminder to check your candy you only half heard your parents call after you quickly becomes background noise. Besides, the knowledge was common place at this point, wasn’t it? Every year there was the potential for someone to pass out tainted treats to the local youth in order to fulfill some twisted agenda. There is just one problem with this spooky myth though. These concerns and fears, almost as old as the act of trick-or-treating itself, are largely unfounded. Also See: Review: THE DARK AND THE WICKED is a Supernatural Pressure Cooker Ready to Scare the Hell out of You An excellent 2018 article from Vox delved into this very same subject with Joel Best, the leading (and perhaps only) researcher on Halloween candy contamination. Best commented “I’ve done research, and I can’t find any evidence that any child has been killed or seriously hurt by any candy picked up in the course of trick-or-treating. My view is this is overblown. You can’t prove a negative, but it seems unlikely.” He went on to elaborate that the poison candy myth as we know it stemmed from stories about people in the early 1950’s heating pennies on skillets and then dumping the hot pennies in the outstretched hands of trick-or-treaters. By the 60’s it had morphed into poison, needles and razor blades. And with the development of technology and the frequent coverage from major news stations, a cycle also developed purely driven by public hysteria. It would often went as follows: Someone- child or adult- would die on Halloween night after allegedly eating some candy. The news would report to rightfully warn the public. But when the events surrounding the majority of these deaths- including the consumption of candy- turned out to be purely coincidental? The media would fail to report with the same amount of urgency. The most follow up anyone would see is a small column in a local paper. And it certainly didn’t help that there were plenty of instances to report on thus fostering the modern-day candy tampering myth. Also See: Why is Fort Hood Such a Hotbed for Criminal Activity? Like the 1959 case of a California dentist who gave out candy-coated laxative pills to trick-or-treaters. He was promptly arrested and charged with outrage of public decency and unlawful dispensing of drugs. Or the 1964 case of a New York woman who gave out packages of inedible objects to children who she dubbed “too old” to be trick-or-treating. These objects included steel wool, dog biscuits, and buttons (which were clearly labeled with the word “poison”). Nobody was hurt and she was prosecuted and pleaded guilty to endangering children. In 1970, a 5-year-old boy was found dead after allegedly eating some candy laced with heroin. It was later discovered that this story was developed to hide the fact the boy actually found and ate his Uncle’s heroin stash. In 1978, a 2-year-old Michigan boy died after eating some candy. This would turn out to be a tragic coincidence as his death was determined to be due to natural causes. In 1990, a 7-year-old California girl died in the middle of trick-or-treating. Despite early reports stating it was due to candy consumption, the child’s parents had to inform the police she had previously been diagnosed with a serious medical condition, an enlarged heart, which was the actual cause of death. And in 2001 a four-year-old girl in Vancouver died after eating- you guessed it- some Halloween candy. Though there were rumors floating around there was no evidence of poisoned candy, and she actually died of an streptococcus infection; an inflammatory disease. But the most noteworthy case, the one that really gave the myth some substance is the 1974 death of eight-year-old Timothy O’Bryan. It was a cold, wet Texas night on Halloween 1974 when optician Ronald Clark O’Bryan took his two children, Timothy and Elizabeth, trick-or-treating. They were soon joined by neighbor Jim Bates and his children. One of the houses the group approached had all its lights off. But the children insisted on trying anyway. When nobody answered they simply moved on. For the majority of the night Ronald kept a slower pace slightly behind the group. So it wasn’t a surprise when Bates lost track of Ronald at one point. When he eventually caught up with them, Ronald explained he gave the door one last knock and his patience paid off in the form of five enormous Pixy Stixs (measuring at least twenty inches long). Ronald gave each of the kids one pixy stix and then gave the fifth to a boy he recognized from church. Also See: Actor Hawn Tran Talks Scare Package, Typecasting, and Lots More [Interview] When it started to rain heavily the group dispersed to their respective homes. Before bed Timothy was given permission to eat some candy before bed. Ronald was quick to suggest the giant pixy stix. Timothy immediately noted the bitter taste the candy had. So his Dad gave him kool-aid to wash it down. Minutes later Timothy began to vomit violently, convulse and eventually went limp in his father’s arms. Timothy O’Bryan was declared dead less than an hour after consuming tainted Halloween candy. Luckily the police were quick to collect the four other pixy stixs. Testing determined Timothy’s pixy stix contained enough cyanide to kill two adults. The other contaminated sticks had enough to kill three to four adults in each candy. The police were also quick to find and arrest a suspect: Ronald Clark O’Bryan. Turns out Ronald was a complete douche who displayed some very odd behavior shortly before Timothy’s death such as asking around for cyanide, pondering aloud how much of said cyanide would kill an animal (which just so happened to be the same size as a human child) and confiding in friends that he would be coming into money soon. That would be because, unbeknownst to his wife, Ronald had taken out multiple hefty life insurance policies on both of his children that would really put a dent in that mountain of debt he also didn’t tell his wife about. The evidence against Ronald was so strong it was practically bullet proof. A jury convicted him in less than 46 minutes and he was sentenced to death. Ronald Clark O’Bryan never confessed to killing his son. The death of Timothy O’Bryan is the only documented instance of someone dying as a direct result of Halloween candy consumption. So why do these fears still hold a place in the back of our minds? We once again turn to that Vox article quoting Joel Best “We live in a world of apocalyptic scenarios. Here we are; we have safer, healthier, longer lives than people in any other point in history. And we are constantly imagining that this could all fall apart in a nanosecond.” He added, “So I think that what happens is we translate a lot of our anxiety into fears about our children.” Research Sources: Medium.com’s “The Man Who Killed Halloween”  Vice’s “The True Story of the Notorious Trick-or-Treat Murderer” Episode 127 of Let’s Go to Court!: “The Candyman & Buried Alive” Episode 143 of My Favorite Murder: “DeSabotage” Follow us on social media! Twitter, Facebook,and Instagram.

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Friday, 30 October 2020

Haunt Special Edition [Blu-ray Review]


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Wicked Horror is the author of Haunt Special Edition [Blu-ray Review]. Wicked Horror is the internet's only horror fan site for free original horror movies, news, review & more.

Haunt was a bit of a sleeper hit upon its initial release. The film quietly made its way to DVD without a lot of fanfare. That kind of distribution strategy is often indicative of a project that a distributor doesn’t have a lot of faith in. But why anyone wouldn’t have the utmost confidence in Haunt is pretty well beyond me.  Fortunately, people were able to look past the flick’s lackluster release strategy and see a truly inventive genre picture that treats viewers to scares, likable characters that make (mostly) smart choices, and a truly satisfying finale.  Co-directors Scott Beck and Bryan Woods (writers of A Quiet Place) have really gifted fans with something special via Haunt. This tale of a group of friends that make the fateful decision to visit an extreme haunted house only to discover that its proprietors have something very sinister in store for them.  Drinks and Horror Movie Pairings: Everyone’s Entitled to One [Drunken] Scare The aforementioned group of friends are not your typical horror movie caricatures. The relationships between the cast members feel entirely authentic. Harper (Katie Stevens) and Bailey (Lauryn Alisa McClain) seem like real friends. They look out for one another and that goes quite a ways in terms of humanizing them. Harper’s backstory is horrifying and comes across as really authentic. The film is not all about gore and guts for the sake of gore and guts. Although, there is a decent amount of carnage on display.  The effects are brutal and grotesque but this is a slightly smarter horror film than the torture-fueled genre fare that had a moment in the wake of Saw. Haunt isn’t fine art. But it it’s far from a throwaway effort. The filmmakers aren’t using violence for the sake of violence. They are utilizing graphic imagery to torture the audience. These are characters we have come to care for and seeing them suffer is excruciating and nerve-shredding. And that’s precisely what Beck & Woods were going for in Haunt.   Related: Haunt (2019) Set Visit Report It’s really jarring to see characters we’ve grown to care for meet panful demises and that leaves us in a place much more susceptible to further terrorizing. Beck & Woods really understand that it’s close to impossible to make a truly effective horror film if we have no investment in the characters.  Not only do we get well-developed characters, we also get elaborate and impressive set design. The sequences that take place in the haunt (most of the film) are gorgeously rendered and always serve to heighten the intensity of already tense situations.  Moreover, the brilliant sound design evokes memories of The Strangers (for me). I was really kind of blown away by the effective use of all-encompassing audio effects. The deep, sharp nature of the sounds that accompany particularly intense sequences had me on edge in the best possible way.  Beck & Woods have a real sense for timing and subverting expectations. Their ability to measure the audience that everything is ok right before pulling the rug out from under them is remarkable. The timing is so perfect. Beck & Woods know just how to prey on our sense of self doubt. If you delay the expected outcome long enough, people will begin to wonder if said outcome is ever going to happen. And the second that sense of curiosity becomes the foremost thought in their head, that is the point when Beck & Woods drop the anvil on your head. And God, it is effective!  I could go on about the film for hours. But I will stop here. Let’s dive into the special features (which are off the hook). Ronin Flix really outdid themselves with this release and managed to collect amazing bonus content, even in the wake of Covid. They were able to get surprisingly good quality footage and audio with all of the actors featured seeming to have done interviews from home. However, it’s not grainy Skype footage with sound that cuts out and pixelated video. This is really impressive stuff, particularly when one stops to consider everything 2020 has thrown our way.  The disc boasts three featurettes; one 30-minutes in length that gives viewers a unique behind-the-scenes look at the making of Haunt and also provides interviews with the creative team and on camera talent. In addition, there are a couple of mini docs. 13 Scary Sega Genesis Games You Need To Play This Halloween One of the featurettes lets the viewer get inside the heads of Beck & Woods. And it’s pretty phenomenal. It was so intriguing to hear where they were coming from and what their vision was for the flick. It was so amazing to really get solid answers from them that go beyond the typical EPK-style questions.  A third mini doc gives viewers access to genius sound editor Mac Smith of Skywalker Sound and he answers so many of the questions I had about the film’s incredible sound design. My only complaint (if you could call it that) is that it isn’t longer.  Moreover, you get a series of deleted scenes, the Q&A from the premiere at The Egyptian, and a ten minute video diary from Beck & Woods recording during preproduction and beyond.  This is the home video release Haunt deserved the first time around. That’s to say nothing of the fact that it was robbed of a theatrical exhibition. If you haven’t picked up your copy of Haunt on limits edition Blu-ray yet, what are you waiting for? Wicked Rating: Film 9/10 Blu-ray: 10/10    

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New on Netflix October 30th, 2020


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Wicked Horror is the author of New on Netflix October 30th, 2020. Wicked Horror is the internet's only horror fan site for free original horror movies, news, review & more.

Welcome back to New on Netflix! The streaming giant’s horror department has always been a mixed bag. However, I’d say they’ve really stepped up their game in the last couple of years with the release of amazing, essential watches. We’ve been treated to must see original programming like The Haunting of Hill House, Velvet Buzzsaw, Hush, and some of the classics we all know and love. As we enter a new month this week we have a lengthy list for you to comb over. Enjoy! And Happy Halloween from everyone here at Wicked Horror! Also See: Drinks and Horror Movie Pairings: Everyone’s Entitled to One [Drunken] Scare A Clockwork Orange Stanley Kubrick’s cult classic A Clockwork Orange arrives on Netflix on November 1st. In a dystopian future, Alex and his “Droogs” spend their nights getting high at the Korova Milkbar, assaulting people in the streets and belting musical melodies at ungodly hours of the night. But when a murder causes Alex to submit to behavior modification techniques to earn his freedom; the techniques work better than he realizes and results in him becoming the victim of his prior victims. Casper Also arriving on November 1st is everyone’s favorite friendly ghost, Casper. Casper is a polite, young ghost haunting an elegant Maine mansion with his three not-so-friendly uncles. Their peaceful afterlife is turned upside down when a scientist and his daughter move into the mansion with the hopes of communicating with the ghosts. Knock Knock Against his better judgment a successful, married architect opens his home to two stranded young women during a dark and stormy night. As the night carries on these nubile girls reveal a sinister agenda for their visit. Knock Knock will be streaming on November 1st! Leah Remini: Scientology and the Aftermath (Seasons 1-3) Also arriving on November 1st is all three seasons of A&E’s look into the Church of Scientology, Leah Remini: Scientology and the Aftermath. The series features stories from former members of the Church of Scientology whose lives have been affected by the Church’s harmful practices. Little Monsters When Brian meets the monster living under his bed, Maurice, the two become fast friends.  During the night Maurice takes the boy to the netherworld of monsters, where they have a great time making mischief in the lives of sleeping children. Everything is great until Brian discovers that he himself is turning into a monster. Little Monsters will be available for streaming November 1st! Piercing After leaving for a seemingly normal business trip  Reed checks himself into a hotel room to accomplish something he’s always dreamed of pulling off: the perfect murder. As his sinister plans unfold, he soon realizes he might be in over his head with a mysteriously unhinged call girl named Jackie. Piercing will arrive on Netflix on November 1st! Carmel: Who Killed Maria Marta? (Season 1) Arriving on November 5th is Spanish true crime series Carmel: Who Killed Maria Marta? When a woman is found dead in her bathtub, with a puddle of blood nearby, her husband theorizes she had an accident. But an autopsy tells a very different story. Follow us on social media! Twitter, Facebook,and Instagram.

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Dressed to Kill Delivers Stylish Suspense [The Rabid Dog’s House]


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Wicked Horror is the author of Dressed to Kill Delivers Stylish Suspense [The Rabid Dog’s House]. Wicked Horror is the internet's only horror fan site for free original horror movies, news, review & more.

The Rabid Dog’s House is a recurring feature at Wicked Horror where contributor Justin Steele uncovers hidden gems, lost classics, and overlooked indie offerings. Flying solo or with his co-host Zena Dixon, he will discuss an array of topics covering film, literature, and television. Check out the latest installment below. In this episode we’re looking back at 1980’s Dressed to Kill! Related: Freeway is a Fearless Modern Fairy Tale [The Rabid Dog’s House] Dressed to Kill is a 1980 giallo-inspired thriller directed by Brian De Palma and starring Angie Dickinson as Kate, a lonely housewife who seeks validation from her therapist (Michael Caine). After a therapy session, Kate heads to the museum for a leisurely afternoon where she unexpectedly meets a mysterious man. Then, meets an even more mysterious woman. Dressed to Kill also follows a call girl (Nancy Allen) with a knack for the stock market and Kate’s precocious son (Keith Gordon) as they try to solve a dangerous mystery.  Dressed to Kill delivers Brian De Palma’s regularly appreciated style with homages to Hitchcock in combination with the director’s take on the contemporary slashers of the time. Join Justin and Zena, along with special guest star Tyler Doupe‘, as they discuss Dressed to Kill below!

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Thursday, 29 October 2020

Review: THE DARK AND THE WICKED is a Supernatural Pressure Cooker Ready to Scare the Hell out of You


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Wicked Horror is the author of Review: THE DARK AND THE WICKED is a Supernatural Pressure Cooker Ready to Scare the Hell out of You. Wicked Horror is the internet's only horror fan site for free original horror movies, news, review & more.

When Bryan Bertino hit audience with one of the most impressive debuts in 2008’s The Strangers, the director was immediately met with labels of being the next big name in the genre and rightfully so, that film is still one that terrifies so many horror fans year after year. Following The Strangers,, Bertino eventually helmed 2014’s Mockingbird and the expectations that came with coming right out of the gate with a masterpiece did nothing to help the found footage-esque follow up that Mockingbird was. After dusting the experience of a sophomore slump off and directing the exceptional 2016 creature film The Monster, Bertino looked to be on a trajectory of being one to look out for again, and Wicked Horror readers, I am pleased as hell to say, that with his fourth film, The Dark and the Wicked, Bertino and back and better than ever, giving genre fans one of the most unsettling films of the year, while also scaring the living hell out of us.  When siblings Louise and Michael (Marin Ireland and Michael Abbot, Jr. ) return to their farm, secluded from people and others, the duo are tasked with caring for not only their dying father, but the mentally unstable mother (an excellent Julie Oliver-Touchstone)who is taking the declining health of her husband very rough. Initially the siblings assume that it’s just the pain of their father slowly dying that is affecting their mother, but following a tragedy early in the film, what’s we’re given is a darkness, an evil that seems to take ownership of the farm and the family inhabiting it. More than any monster or person, the darkness and evil found in The Dark and the Wicked is one that any individual who has struggled with grief, loss and depression can recognize. It’s a darkness that takes control of you, causes you to harm yourself and causes you to be eclipsed and overwhelmed by the pain found within in.  That’s what makes The Dark and the Wicked so enthrallingly scary, we’re never quite given an antagonist that we see per se (a sinister role by Xander Berkeley makes us assume we do, but alas, no spoilers here), but one we can all FEEL. It’s impossible not to be emotionally affected by the darkness found in Bertino’s film, it’s almost as you’re watching depression overtake characters in front of you, in ways that seems very metaphorical but tangible at the same exact time.  There’s precision in the way Bertino executes the scares in the film, quiet tension building, akin to what made The Strangers so terrifying, it got under your skin before a single thing went down and that’s on full display with THE DARK AND WICKED, it’s a masterclass in suspense, something that Bertino still can execute better than most. As we see the pain and grief and darkness overtake various characters and they’re met with violence by their own hands, it feels so close to home for anyone who has ever dealt with looking in the mirror and not recognizing yourself. It feels personal, this film and one that could easily be a look at what it is like to be in the head of a mentally ill individual.  Five Vampire Movies That Changed The Genre Betino’s knack for creating tension and terrifying ambience is enough to blow the viewer away, but the performances by Ireland and Abbot, Jr. really add so much to the film, there is such nuance in the way they play the pain and hopelessness at times and it’s incredibly easy to latch onto the duo, you hurt FOR them and WITH them, as you watch the darkness slowly take each one over.  While it is not the masked home invasion classic that The Strangers, was, Bertino has created what is, in this writer’s opinion, a true classic in the making with THE DARK AND THE WICKED. A dark as the abyss look at pain, suffering and how losing someone you truly love can sometimes be a darkness you learn to deal with. Excellent stuff.  Wicked Rating: 10/10

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Wednesday, 28 October 2020

Before I Wake is a Touching Exploration of the Horrors of Grief


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Wicked Horror is the author of Before I Wake is a Touching Exploration of the Horrors of Grief. Wicked Horror is the internet's only horror fan site for free original horror movies, news, review & more.

Horror is at its best when it functions as a metaphor for the darker aspects of human life. Sure, the initial draw is often the ghost, monster, or killer that threatens to haunt our dreams, but the movies that really stick with us often have a deeper purpose beyond solely trying to scare. Some of the best films in the genre are flicks that had something important to say, and Mike Flanagan’s Before I Wake is one of those films.  It follows Mark (Thomas Jane) and Jessie Hobson (Kate Bosworth), a couple who take a foster child named Cody (Jacob Tremblay) into their home, and soon find out that his dreams come to life in the real world every night. At first, Cody dreams about beautiful, glowing butterflies, but as the movie goes on, he begins to have nightmares that wreak havoc on those around him. On the surface, this may sound like a rather humdrum plot, but Mike Flanagan expertly uses this simple premise to craft a touching story about a profound, universal element of the human experience: Grief.  Both Cody and the Hobsons are suffering from traumatic losses, and the way those losses affect them powers the narrative every step of the way. Sometimes it’s right in your face, and other times it’s much more subtle, but the characters’ grief is always there, moving the story forward, and the film uses it to convey a deep message about this important emotion. Mark and Jessie Hobson Prior to the events of Before I Wake, the Hobsons lost their young son Sean in a drowning accident, and when the movie begins, Jessie belongs to a grief support group to help her cope with the loss. They can’t have any more children, so to help fill the hole in their hearts, they decide to take in a foster child, Cody. Soon after they bring him into their home, he sees a picture of Sean and dreams about him, and Mark and Jessie get to see their beloved son one more time. At first, that seems like a nice reprieve for a grieving couple, but it soon takes a dark turn. Once the Hobsons discover Cody’s secret, Jessie begins to take advantage of him to help ease her pain. She shows him a home video of their son opening presents on Christmas morning, and then she hangs up a bunch of pictures of Sean to subtly push Cody in to dreaming about him as often as possible. This causes a small rift between her and Mark, as Mark recognizes that she’s using the child for her own emotional comfort, but Jessie insists that she’s simply allowing Cody to help her heal. [Spoilers Ahead] It gets even worse from there. Some time later, Jessie gets her doctor to prescribe sleeping pills, and she secretly gives them to Cody so she can have even more time with her son. This backfires, as Cody dreams about a deadly monster called the Canker Man, and the creature kills her husband after they unsuccessfully try to wake Cody up. After that, social services takes the child away, and Jessie is left without her husband, her son, or her foster-son. With this part of the story, Before I Wake captures an important truth about grief: it can seriously mess with our heads and cause us to mistreat the people around us. Jessie was so caught up in her own pain that she treated Cody like a tool for her own emotional comfort when she should have been loving him unconditionally, just like every child deserves. Also See: Hereditary is a Strikingly Accurate Comment on the Destructive Power of Grief In this way, the film is clearly a cautionary tale. It tells us to watch out for this insidious effect triggered by grief and to make sure that when we experience loss, we don’t let our pain blind us to the people around us. When we’re hurting, we need to cope with our pain in a healthy way rather than take it out on those  closest to us. Otherwise, we may end up causing real, potentially irreparable harm to the people we love and to our relationships with them. Just like Jessie lost her entire family, we too might lose the people closest to us if we get lost in our own pain and let it negatively affect the way we treat them.   Cody and the Canker Man Jessie’s grief is front and center throughout almost the entirety of Before I Wake, but Cody’s pain is only revealed to us towards the end. Since he’s an orphan, we know that he lost his parents at a very young age, but he doesn’t seem terribly affected by it. He says that the Canker Man ate his mother.  However, the truth is much more complicated than that. After social services take Cody away from Jessie, she looks into his past and discovers what really happened to his mother. She wasn’t killed by the Canker Man like he said. Instead, she actually died from cancer, and young Cody misunderstood it as “canker.” He eventually forgot what really happened, and his mind combined his mispronunciation of the word “cancer” with his vague memories of his mother’s withered condition before her death to create the monster that haunted his dreams. After discovering all this, Jessie goes to the orphanage where Cody is being kept, and she finds that his nightmares have completely run amok. She sees monstrous creatures everywhere she turns, and all the workers there have been trapped and incapacitated. She eventually runs into the Canker Man one last time, and she defeats him by giving Cody a reminder of his mother and of her love for him. After that final battle, Jessie brings Cody home with her, and the next day she tells him the truth about his past.  Cody’s experience with the Canker Man reinforces the film’s message about the dangers of grief, but they also add a new dimension to it. His part of the story tells us that we can’t bury our grief and ignore it. Cody’s memories of his mother were buried so deep inside him that he didn’t even realize what it was doing to him, but it had deadly consequences for almost everybody around him. Also See: The Siren is an Arthouse Exploration of Grief In this way, Before I Wake tells us that we need to acknowledge our pain and bring it out into the open, and only then can we find healthy ways to heal from it. If we let it fester inside of us, it will eventually find its way out in other, much more destructive ways, and much like the Canker Man, it can become a savage beast that destroys everything in its path. The Way Out Up until now, the film’s message has been pretty depressing, but it’s not all doom and gloom. Before I Wake also tells us about an important antidote to grief: at the end of the movie, Jessie and Cody both overcome the negative effects of their grief through love. After Jessie tells Cody what really happened to his mother, she explains that our lost loved ones continue to live on in our hearts even after they’re physically gone, and she encourages him to embrace his unusual gift and its power. Then, in the final line of the movie, Cody calls Jessie “Mom,” and she kisses him on the forehead, confirming that they’ve both found a remedy for their grief in their mutual love. Sure, Jessie still misses her son, but she’s finally come to understand that he lives on in her heart, not in the tenuous manifestations of a young boy’s dreams, so she shouldn’t use Cody as a tool to see him again. Similarly, Cody is at last freed from the Canker Man and the dangerous effects of his unprocessed grief by being reminded of his mother’s love for him and experiencing that same kind of love once again with Jessie. That is the ultimate message of Before I Wake. While the movie initially seems like just a cautionary tale about the dangers of grief, it ends up being so much more than that. Above all, it’s a story about the most powerful force in the world (love) and its ability to keep our sorrow in check and prevent it from becoming an all-consuming monster.  The Canker Man, the movie’s grisly metaphor for grief, was conquered by love, and love can help us avoid the potential pitfalls of our own grief as well. While it won’t take away our pain, loving the people in our lives and allowing ourselves to be loved by them can help us manage it in a healthy way. Love helps keep us from becoming self-centered in our anguish, and it allows us to find joy in the people who remain with us, just like Jessie and Cody did when they truly began to love each other. Follow us on social media: Twitter, Facebook, and Instagram. 

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Tuesday, 27 October 2020

Drinks and Horror Movie Pairings: Everyone’s Entitled to One [Drunken] Scare


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Wicked Horror is the author of Drinks and Horror Movie Pairings: Everyone’s Entitled to One [Drunken] Scare. Wicked Horror is the internet's only horror fan site for free original horror movies, news, review & more.

The night air is crisp, and the blue moon is full. Not only is it the weekend, but ghosts and ghouls are able to roam the earth for an extra hour, thanks to daylight saving time. It’s the scenic Halloween we’ve always fantasized about; the kind we see in film, that excite and fill the air with eerie delight. In this moment, life is finally imitating art. The perfect Halloween doesn’t exi—no really, it doesn’t. The universe will not allow it. Due to the current COVID-19 pandemic, haunted houses and hayrides, parties, and even trick-or-treating in some counties have all been canceled. Sometimes, when life imitates art, it does it in a fashion that is far more terrifying than anything we could have pictured. Pandemics were much more entertaining when they involved zombies on my television.   See Also: Here’s How We Can Save Halloween 2020! Because of this, I’ve compiled a list of alcoholic beverages to pair with horror movies in an attempt to salvage any Halloween spirit (although I’m assuming the ‘Spirit Halloween’ chain is having a very successful season, moving into all of the abandoned local businesses). If we can’t enjoy all the season’s offerings physically, we can appreciate them while safely remaining at home, with a good buzz. Years of bartending, obsessing over horror, and social distancing before it was considered healthy have primed me for this occasion. This is my Magnum Opus.  Trick ‘r Treat (2007) We’ll start off strong with a movie that will make you feel festive regardless of circumstance. We’re pairing Trick ‘r Treat with a Candy Corn Martini. Candy corn, although controversial in taste, is a staple of Halloween tradition that we have to embrace. If not, Sam will have our heads. You can find the recipe for this sweet and easy cocktail here.  Get Out (2017) Get cozy on your couch, turn out Get Out, and sink with a Hot Toddy. Perfect for chilly weather, this hot whiskey drink is an excellent way to warm you up [and even alleviate a common cold]. The recipe for a Hot Toddy varies by personal preference, but consists of any irish whiskey, hot water, lemon, honey, and cloves.  Nightmare on Elm Street (Any Installment) We’re joining Freddy in the boiler room with an aggressive Boiler Maker. Simple yet evil, a Boiler Maker consists of half a pint of any light beer, and a shot of whiskey dropped into the pint. If this is a bit too evil for you, you can join Nancy’s mother in the kitchen with any form of a vodka cocktail.  The Blair Witch Project (1999) We’re going for a campfire drink with a bite. This Campfire Mule is a formidable drink to get lost in.  It (1990 or 2017) This Caramel Bourbon Rootbeer Float will have you feeling like a kid again in minutes. But most importantly, you’ll float, too.  Carnival of Souls (1962) Carnival of Souls is an incredibly unsettling horror film. It’s gritty, slow progression into madness can be favorably paired with a Sidecar. Specifically, a fall-forward Cider Sidecar.   The Exorcist (1973) We’re getting innovative to match the caliber of The Exorcist, and pairing it with a Devil’s Margarita. Mixing wine and tequila can be a dangerous combination, so if you’re feeling a little uncertain, you can always pick up some old-fashioned church wine to ward off possession.  The Silence of the Lambs (1991) A nice chianti…with some fava beans. You know why.  An American Werewolf in London (1981) A Dark and Stormy is the perfect drink to make you feel like you’re warming up in a British bar after a night of backpacking through backwoods. It usually consists of two ounces of dark rum, mixed with ginger beer and few dashes of bitters, garnished with a lime wedge.  Rosemary’s Baby (1968) An Old Fashioned with a twist? Sounds about right. As long as there isn’t any tannis root, and it isn’t made by your creepy old neighbors, you should survive. You can find the recipe for a Rosemary Old Fashioned here.  Texas Chainsaw Massacre (1974) An excellent pairing for this ultimate horror movie is the Texas Gentleman, for obvious reasons.  Friday the 13th (I – VI) Any crappy 80’s beer. Pretend you’re drinking it in the woods; get into character.  The Sixth Sense (1999) As a Philadelphia native, I feel the best drink to pair with the Sixth Sense is our own Citywide. Although “bad, bad things” are apparently happening here, Citywides are not one of them. At almost any dive bar in the city, a “Citywide Special” is offered for $3-$5, that consists of a PBR can and a shot of Jim Beam. It’s an incredibly cheap and effective way to get a good buzz, and can easily be done at home. If you prefer high end alcohol, this probably isn’t the combination for you. If you want to experience some true Philadelphian chip-on-your-shoulder grit, give it a try.  The Shining (1980) “So here’s what, you slip me a bottle of bourbon, a little glass and some ice. You can do that, can’t you Lloyd?” – Jack Torrance, The Shining. Children of the Corn (1984) We’re following up from The Shining with another Stephen King Interpretation. For Children of the Corn, we’re going to choose a buttery chardonnay. Oaked chardonnays tend to give us notes of cream, caramel, and vanilla. The oily texture of most chardonnays is what gives it a buttery description, much like buttered corn-on-the-cob.  Night of the Living Dead (1968) We’re heading back in the direction of festive cocktails, and pairing this timeless classic with a Gravedigger’s Cocktail. A mixture of hard cider, whiskey, and ginger beer, this beverage is perfectly refreshing after a long day of digging graves and possibly seeing a few zombies.  Evil Dead [I or II] We’re getting forest-friendly and pairing Evil Dead with a Bramble. Crack open the Necromicon, summon some Deadites, and sip on this refreshing blackberry-infused cocktail. Halloween (1978, or 2018) For our final film on this list, we are giving in and going full-on basic. A perfect pairing for Halloween on Halloween, is a Pumpkin Martini. You’re stuck at home, anyway, so you might as well indulge in as many festive guilty pleasures as possible…because besides Michael, who else is watching you? If none of these drinks entice you or if you’re not a fan of social lubricants, I recommend checking out halloween2020.org for family-friendly festive options, listed per county according to COVID-19 risk levels. Regardless, I hope you have a delightfully dreadful Halloween. Follow us on social media! Twitter, Facebook, and Instagram.  

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Parasite Joins the Criterion Collection [Blu-ray Review]


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Wicked Horror is the author of Parasite Joins the Criterion Collection [Blu-ray Review]. Wicked Horror is the internet's only horror fan site for free original horror movies, news, review & more.

Bong Joon Ho’s Parasite shocked the world earlier this year by winning the Oscars for Best International Film, Best Original Screenplay, Best Director, and Best Picture. It was the first ever non-English language film to win that last award. Joon Ho also was a blast to watch throughout award season, making his Oscars kiss, challenging Americans to “overcome the one inch tall barrier of subtitles,” and promising to “drink until next morning.” It’s hard to believe that was all still this year, which makes it impressive that Criterion has had time to add Parasite to its collection.  The film itself (from which no cast members were nominated for an Oscar despite the film’s other nominations) is about a poor family infiltrating the lives of a rich family. First, the poor family’s son (Choi Woo Shik) forged a diploma from a university so he can tutor the rich family’s daughter (Jung Ziso). Through a series of darkly hilarious deceptions, the poor family integrates themselves further, replacing the rich family’s entire staff.  The central question of the film is which family is the Parasite? The ones who are forcing their way in, or the ones who are so dependent on their staff that they can’t drive, cook, or clean on their own? Parasite both entertains and enlightens while critiquing the capitalist systems that forced these two families to fight for resources.  You can read our full review of the film here.  The Criterion Collection Blu-ray is jam-packed with extra features. There’s both a new 4k digital master and a black and white version of the film, an audio commentary track featuring Joon Ho and critic Tony Rayns, and five more bonuses featuring conversations with Joon Ho and other cast and crew. While some of these are retreads, Criterion has gone out of its way to create new materials that will enhance viewers understanding and enjoyment of Parasite.  RELATED: Parasite’s Big Night at the Oscars is a Big Win for Horror While there is a literal Masterclass with Joon Ho included in the second disc, every feature with him is figuratively a master class. What might be most fascinating is the way Joon Ho’s process worked with the house. He had a virtual representation of the house created so he could walk around inside before the physical house was built. Parasite also used CGI in surprising places, though you would never guess by watching film. If you’d like to know where, you’ll have to buy the Blu-ray, which Criterion is releasing Tuesday, October, 27, 2020.  Wicked Rating – 10/10 Follow us on social media: Twitter, Facebook, Instagram, and Youtube.

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Monday, 26 October 2020

Why is Fort Hood Such a Hotbed for Criminal Activity?


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Wicked Horror is the author of Why is Fort Hood Such a Hotbed for Criminal Activity?. Wicked Horror is the internet's only horror fan site for free original horror movies, news, review & more.

“How could she go missing on a military base?” the sister of a slain Fort Hood soldier cries in an interview. Fort Hood, located in Killeen, Texas, is one of the largest military installations and a military base with a sky-high crime rate. Murder, missing persons, harassment, prostitution rings, and assaults aren’t what you’d expect to find on 78-year-old base. The scope of these criminal acts was noticed by countless people when a young woman in her military uniform, classified as missing, was spread across social media.  On April 22, 2020, a 20-year-old soldier, Vanessa Guillen went missing from Fort Hood. Guillen’s disappearance drew attention across international news outlets as her family asked for help from the public. Celebrities brought awareness to the case through their social media and pledged money to help find her. For two months, the family asked for assistance but few answers were given by Fort Hood. During the investigation a set of remains were found in Killeen. Said remains belonged to Fort Hood soldier, Pvt. Gregory Wedel-Morales, who was last seen August 19th, 2019. He was believed to be a deserter at Fort Hood, meaning he left at his own will and was put on the military’s AWOL list. Without the pressure from Guillen’s family and the attention from the media, the search for Vanessa wouldn’t have been as extensive and Morales’s remains likely wouldn’t have been found. Guillen’s remains were found 20 miles from the base on June 30, 2020. All the way through June, Guillen’s family prayed and hoped she’d come home safely. But it was discovered she was killed and dismembered by soldier, Spc. Aaron Robinson, the same day she went missing. On July 1st, Robinson shot and killed himself after he was tipped off from the news about the discovery of her remains. That same month, Army Spc. Miguel D. Yazzie, was hospitalized for a medical condition at a hospital facility off the base. He tragically passed away the following day. Both families of Guillen and Yazzie, noticed odd and inconsistent information with details provided from the base.  As Guillen’s death gained less attention in the media, another Fort Hood soldier’s passing was spread across social media and news outlets. Less than two months after Guillen’s body was found, 23-year-old Sgt. Elder Fernandes was reported missing. On August 25th, Fernandes was found hanging from a tree in Temple, Texas and his death was ruled a suicide. There’s an extensive list of names and stories just like Guillen’s and Fernandes’s. Recurring deaths on a military base shouldn’t feel normalized. Bodies being discovered, missing people, and long investigations shouldn’t be classified as random coincidence. According to a New York Times article, “Since January 2016, there have been 159 noncombat deaths of Fort Hood soldiers, including seven homicides and 71 suicides.” There have been 28 deaths this year alone. Unfortunately, many of these tragic deaths go unnoticed by the media including the unsolved homicides related to Fort Hood. Also See: Five Standout Episodes of The Casefile True Crime Podcast The Unsolved Murders: On April 17, 2017, 19-year-old, Pvt. Justin Lewis, was found dead from gunshot wounds in a parking lot in Killeen. He had been assigned to the 3rd Cavalry Regiment in Fort Hood in February 2017. No suspects have been found related to his case. Morales’s remains were found during the search for Guillen’s body on a field in Killeen on June 19, 2020. He was days away from being discharged and disappeared shortly after going to a club. There were inconsistencies in his disappearance that raised red flags. IE: phone calls left unanswered and his car going missing and later being sold at auction. There was no real search for Morales prior to his remains being discovered. Spc. Shelby Jones, 20-year-old, cavalry scout died March 1, 2020 from a gunshot wound in Killeen after paramedics tried to save his life. He had been assigned to the 3rd Cavalry Regiment since August 2018 and was deployed to Iraq from May 2018 to January 2019. There are no known suspects in his case. Also See:  Five More Standout Episodes of Casefile True Crime Podcast The deaths and unsolved homicides are bigger than what it seems. Guillen’s disappearance and death have raised awareness surrounding the crimes at Fort Hood. As of September 2020, Congress announced that the Committee on Oversight and Reform’s Subcommittee on National Security and the Committee on Armed Services’ Subcommittee on Military Personnel are investigating the crimes and leadership responses at Fort Hood. The public wants answers about the patterns of crimes, personnel turning a blind eye, and major systemic issues. Pressures from the media and protestors have opened the floodgates about the negligence at Fort Hood. A military base with a broken system needs to get to the root of their rinse and repeat approach to crime and find justice for the men and women who put their lives on their line and died on American soil. Follow us on social media! Twitter, Facebook,and Instagram.

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Friday, 23 October 2020

Blu-ray Review: NOS4A2 Season Two – An Unstable and Disjointed Sophomore Season


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Wicked Horror is the author of Blu-ray Review: NOS4A2 Season Two – An Unstable and Disjointed Sophomore Season. Wicked Horror is the internet's only horror fan site for free original horror movies, news, review & more.

Season one of AMC’s NOS4A2 (an adaptation of the excellent Joe Hill novel) was a bit rocky, but there was so much hear in the good vs. evil tale, that as a viewer, it was easy to look past its faults. We were given such a layered and fleshed out protagonist in Vic (Ashleigh Cummings) and one devious villainous vampire in Charlie Manx (Zachary Quinto), each actor giving 200% to a tale of a fractured woman being enticed by evil and finding her place within the first season, leading up to a really finale in which we assumed Vic defeated Manx and saved children the vampire had stolen and brought into his world. When we catch up with the aftermath of season one, we’re given a good almost decade later, in which the season begins giving us as viewers the assumption that all is finally well. Obviously, it’s not whatsoever. The first couple of episodes, NOS4A2’s second season allows us as viewers to see what happens to survivors of trauma and horrible events, something that is great to see. Then issue is, that the show’s second season doesn’t make much of it. Vic is eventually resurrected and pretty annoyed by having been beaten by Vic and the second half of the season is mostly about stripping away any normalcy that our heroine had attained. The problem lies in how all over the place season two’s writing is. What made Hill’s novel so great is how we were able to connect with its characters, good and bad, making the story something enthralling to experience, but with the second go around of the TV series, a lot of that magic is lost, replaced with threads of story that seem to became frayed as the season goes on, and when we’re supposed to feel bad about the direction the show goes in later in the season, we’re instead just kind of asking ourselves, “Really?…is THAT it?”. SPECIAL FEATURES: Unfortunately, with the Blu-ray release of NOS4A2’s second season, we’re not given much in the area of supplemental material. A comic-con panel and a few short EPK-like docs involving your typical talking heads saying how great it is to work on the show and so on, but a more in depth look at why the season took the directions it took would have been welcomed.  If you’re a completist and already have the first season on DVD/Blu-ray, you might pick this one up just to have it, but with such a fractured and somewhat misfire-heavy second season and the lack of much in the supplemental area, you might want to pass on this one.  There’s enough to stay on board with on this season, but the direction the show goes and how inconsistent the threads end up being, it runs the risk of losing viewers. Here’s hoping for a return to form with season three.  

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New on Netflix: October 23rd, 2020


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Wicked Horror is the author of New on Netflix: October 23rd, 2020. Wicked Horror is the internet's only horror fan site for free original horror movies, news, review & more.

Welcome back to New on Netflix! The streaming giant’s horror department has always been a mixed bag. However, I’d say they’ve really stepped up their game in the last couple of years with the release of amazing, essential watches. We’ve been treated to must see original programming like The Haunting of Hill House, Velvet Buzzsaw, Hush, and some of the classics we all know and love. This week we have a short list featuring three new movies! Also See: Five Vampire Movies That Changed The Genre Nobody Sleeps in the Woods Tonight Addicted to technology, a group of teens are sent to a rehabilitation camp in the forest where they can reconnect with nature. Things go south quickly when some of the kids come face to face with a sinister force living in the woods. Nobody Sleeps in the Woods Tonight will arrive on Netflix October 28th! His House After a couple makes a harrowing escape from war-torn South Sudan, they attempt to make a new lives for themselves in small town England unbeknownst to an evil lurking just beneath the surface. His House will arrive on Netflix October 29th! The Day of the Lord Also arriving October 29th is The Day of the Lord which follows a retired priest, haunted by past sins, finds himself back in the darkness when a young girl close to him becomes possessed. Follow us on social media! Twitter, Facebook,and Instagram.

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Keith Hopkins Discusses Horror Anthologies [Interview]


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Wicked Horror is the author of Keith Hopkins Discusses Horror Anthologies [Interview]. Wicked Horror is the internet's only horror fan site for free original horror movies, news, review & more.

Fans of horror anthologies should be on the lookout for the upcoming release from filmmaker and author Keith Hopkins. His book, set to release on October 27, is titled The Horror Anthology Handbook. It features interviews with multiple horror anthology filmmakers as well as a detailed history of films and shows. Hopkins is the director of the recently released horror anthology Gravedigger Dave’s Halfway House. When he set out to direct a horror anthology, he searched for a book on the topic, but none could be found. This is what inspired him to write the handbook, which provides a wealth of information on this type of film. While the book is geared toward filmmakers, general horror fans will find it informative and will likely walk away with a list of must-see films and series. We recently spoke to Keith about his inspirations, the writing and filmmaking process, and his upcoming projects. WICKED HORROR: Congratulations on the upcoming release of The Horror Anthology Handbook! I had the opportunity to read the manuscript, and I really enjoyed it. I love how you likened anthologies to storytelling around the campfire and draw the reader in by discussing some of your first experiences with these stories. Was there a particular film or story that sparked your love of horror at a young age? KEITH HOPKINS: Thank you! In keeping with the campfire theme, one of the productions that sparked my love of horror was definitely, Are You Afraid of the Dark? To this day I think it has one of the creepiest opening sequences. The music combined with the shot of the abandoned boat gives me chills every time. As it was a show for kids, they were never able to fall back on gore or exploitation to shock the audience. They had to rely on good writing, and I think that’s why the show holds up so well. WICKED HORROR: Continuing on that same note, I think readers will be interested to know which films and industry veterans inspired you to purse filmmaking. Aside from anthologies, what are your favorite horror film/television stand-alones or series? Any favorite directors who have influenced your work? KEITH HOPKINS: Around the time I was deciding to get into filmmaking, I watched Stanley Kubrick’s A Clockwork Orange and The Shining, and started picking out things that I had never noticed previously. I loved the attention to detail in the framing, the symmetry, the use of color. I noticed the way the editing was paced; how long takes impacted me differently than rapid cutting. I loved Kubrick’s patience, letting some shots linger to let the viewer fully absorb them. In practice, I’m much less meticulous than Kubrick and don’t spend my time trying to emulate his perfectionism. But I do love him for being one of the first directors who made me notice what the camera was doing and how it made me feel. See also: Things You Probably Didn’t Know About The Shining WICKED HORROR: Writing a book likely had both similarities and differences from the filmmaking process. Tell us a bit about your experience in developing this handbook. What did you find challenging and what was the best part of the process? Were there any particular strategies from your filmmaking process that you were able to apply when writing? KEITH HOPKINS: You know, I thought writing a book would be much easier than directing a film, because I wouldn’t have to wrangle as many people, and manage a set, and worry about how to pay for craft services, and all the other micro-budget filmmaking headaches I had experienced making Gravedigger Dave’s Halfway House. But the solitary nature of writing a book actually made The Horror Anthology Handbook difficult in its own way. With a film, if you have your lead actor headed to set and everything is ready to go, you don’t get to say, “You know what, I’m actually not feeling it today. Let’s eat ice cream instead and try tomorrow.” Writing a book at home by yourself, it’s a lot easier to tell yourself you’ll be feeling it more tomorrow and that you should spend tonight eating ice cream. So keeping up your motivation is a big deal, and I think the best way to handle that is to write about something that you’re truly passionate about. If you start a writing project and the topic gnaws at your brain and you just can’t help thinking about it, you’re probably on the right path. If you have to force the words onto the page, then it may be time to set that project aside. I once wrote over 100 pages about superhero TV shows, and that book will never see the light of day. It just wasn’t the right project for me at that time. WICKED HORROR: In your interview with PJ Starks, he states, “If you can take a trope that’s been done a hundred times and then…incorporate your own voice into it, I really think that’s the best route to go.” This resonates with me as a horror fan. We all have favorite tropes or subgenres, but many times the literature or film offerings are stale. Which trope do you think is begging for a fresh take in film format? What are your top three horror tropes to experience as a viewer or filmmaker? KEITH HOPKINS: Jump scares get a lot of hate, but I love a clever jump scare. A number of years ago David S. Sandberg totally revived the trope for me with his short films, particularly Lights Out. If you think the jump scare is old and tired, watch Sandberg’s work. It proves there’s always room in horror filmmaking for reinvention. His jump scare in Lights Out has almost become a trope of its own. Instead of copying what he’s done, I’d love to see someone reinvent what he’s done. I also never get tired of possessed dolls- Trilogy of Terror has a great segment featuring a possessed doll- and twist endings. The original Twilight Zone certainly has the best twist endings ever put to film, but Black Mirror and Jordan Peele’s Twilight Zone reboot have carried that torch quite well. Also see: Why Black Mirror is the Modern Twilight Zone WICKED HORROR: Did you find that writing this handbook has impacted your style as a filmmaker? Any takeaways or lessons that you will apply going forward? KEITH HOPKINS: Absolutely. The most important takeaway- and you’ll see that most of the filmmakers interviewed in the book echo this point- is that the wraparound should be the most interesting and memorable part of an anthology. So if you’re pitching an anthology you’d like to direct (or you’re pitching Tales From the Darkside for movie night at your friend’s house), focus on the ties that bind each short together. It’s the thing that will make otherwise unconnected short stories feel cohesive. Anecdotally, I’ve noticed that when people talk about The ABCs of Death, they talk more about the concept that any specific short. While the shots in ABCs are great, I think most of them would be collecting dust on YouTube if they hadn’t been combined in such a clever way. ABCs is a whole that is greater than the sum of its parts. That’s what I, and every anthology filmmaker, should be striving for.   WICKED HORROR: Most horror fans have, at some point, encountered shock or dismay from others when they share their love of the genre. Horror seems to still have a bad reputation in some circles, despite the fact that it’s out there in mainstream film and literature. I think I speak for myself and many other fans when I share this wish—that more people could see horror as a multi-dimensional genre. There’s so much more to it than what meets the eye. As a reader, I often recommend books that I think will draw in horror “newbies”. As a filmmaker and horror fan, are there any films that you’d recommend to others to convince them of the genre’s depth? KEITH HOPKINS: If someone needs to be convinced that horror films have depth, I might show them Tales From the Hood. Even though it was made in the 90s, it’s still shockingly relevant. It tackles difficult subject matter while using classic horror tropes, and it includes some good bits of comedy here and there as well. I think this movie fires on all cylinders, and proves that while horror can be over the top, it can still have an important message. WICKED HORROR: Coming from the position of a fan of horror literature and film, I found your book to be very informative and entertaining. I walked away from the experience with a newfound appreciation for the art of filmmaking, as well as a list of films I need to check out soon. I think that this book will appeal to a large audience, including not only aspiring or established filmmakers, but horror fans in general. What do you hope that readers will learn from their experience with this book? KEITH HOPKINS: As both a horror fan and a horror filmmaker, I love taking deep dives into very specific aspects of the genre. While many aspects of horror have been explored in nonfiction, anthology filmmaking is uncharted territory by comparison. I love learning about how horror is made, and hearing the behind the scenes stories that make each production unique. And I learned a ton while conducting the interviews that made it into the book. I didn’t know that the original plan for Trick r’ Treat was for each short to play out in full, rather than crosscutting between stories. I didn’t know what it was like to direct 15+ episodes of Goosebumps and 15+ episodes of Are You Afraid of the Dark? I didn’t know how filmmakers were recruited for the V/H/S and ABCs of Death films. I included all of it, so horror fans and horror filmmakers are going to come away from this book with a new appreciation of what it takes to make an anthology. Related: Are You Afraid of the Dark? Miniseries On The Way WICKED HORROR: We certainly appreciate you sharing more about yourself and your upcoming book release. What’s next for you with regards to filmmaking and writing? Any upcoming projects for horror lovers to look forward to? KEITH HOPKINS: Right now, I’m taking short film submissions for Gravedigger Dave’s Anthology Festival. The accepted shorts will be edited into a wraparound that I’ll direct, screened at a cinema in Minnesota in 2021, and then released worldwide on DVD and online. Filmmakers can submit their work on FilmFreeway.com.

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5 Self-Contained Horror Graphic Novels to Enjoy this October


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Wicked Horror is the author of 5 Self-Contained Horror Graphic Novels to Enjoy this October. Wicked Horror is the internet's only horror fan site for free original horror movies, news, review & more.

There are a lot of great horror comics series — Beasts of Burden, Harrow County, and Locke and Key all come to mind — but sometimes you need to read something quick. A graphic novel without fourteen volumes that you need to individually hunt down.  Take a break and scare yourself with these self-contained horror graphic novels this October!  Through the Woods by Emily Carroll Through the Woods started as the viral webcomic “His Face All Red.” That story’s popularity allowed writer-artist Emily Carroll to find a home for this beautiful book of fairy tale retellings. Carroll drags the stories back from the Disney-fied versions readers are used to, more toward the violence of the Brothers Grimm, where Cinderella’s step-sisters cut off pieces of their feet to attempt fitting them into Cinderella’s shoe.  The stories are made even better by Carroll’s original art style. The images themselves are simpler, more stylized than most comics, giving the reader a false sense of ease. She’ll lull you further in with a familiar pattern of panels on each page. When the monsters arrive, Carroll breaks from that pattern, shattering your comfort.  RELATED: The Top 11 Months to Celebrate Women in Horror Now That February Has Ended Destroyer by Victor LaValle and Dietrich Smith Victor LaValle is one of the best horror writers doing it today. His H.P. Lovecraft reclamation The Ballad of Black Tom is incredible, breathing new life into Lovecraft’s most racist story, “The Horror at Red Hook.” Destroyer is LaValle’s latest work is a modern day graphic novel reimagining another horror classic: Frankenstein.  Along with artist Dietrich Smith, LaValle brings the dead back to life. The opening could be ripped straight from the headlines: a young black man is shot to death by the police. His mother, the last member of the Frankenstein family, brings him back, getting the attention of the original monster, who’s still alive and wants to make sure no one else is.  The Dissolving Classroom by Junji Ito  If you haven’t read any of horror legend Junji Ito’s work, The Dissolving Classroom is a great place to start. Unlike his other work, it’s short, single-volume, quick read graphic novel. The story starts when a new student transfers into a school and can’t seem to stop apologizing. There’s an outbreak of a new disease, and a little girl is stalking the main character.  The plot details aren’t as important as Ito’s art. His black-and-white gore and body horror are astoundingly disgusting. Whether it’s a melting face, a person being disformed into a living spiral, or some kind of worm creature coming out of somewhere it shouldn’t, Ito draws it better than anyone.  Severed by Scott Snyder, Scott Tuff, and Attila Futaki  Severed tells the story of a twelve year old boy running away from home to search for his absentee father. He meets up with a traveling salesman, who isn’t what he seems to be. If you’ve read any horror before, you’ve got a pretty good idea where this is going.  What makes Severed good is the frame story. The little boy we’re following is telling this story as an old man, which brings his reliability as a narrator into question. He was a kid when these things happened and forty years is a long time without mentioning the fact that he looks like he’s aged a lot more than forty years. It also gives the narration in the graphic novel a voice, which is a huge part of traditional ghost stories.  Survivors’ Club by Lauren Beukes, Dale Halvorsen, and Ryan Kelly Marketed as feeling like an 80s horror movie, Survivors’ Club follows a group of people who (you guessed it) survived supernatural events. Someone or something is picking them off one by one. They need to dig through their pasts to find the common elements in order to figure out what’s happening in the present. If they can’t, they’ll die. No pressure.  Beukes has written at least two phenomenal horror novels (The Shining Girls and Broken Monsters), but it’s Ryan Kelly’s art that makes the pages pop. This graphic novel isn’t for the faint of heart.  Follow us on social media! Twitter, Facebook, and Instagram.  

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Camp Twilight is a Must-See, Slasher Delight [Review]


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Wicked Horror is the author of Camp Twilight is a Must-See, Slasher Delight [Review]. Wicked Horror is the internet's only horror fan site for free original horror movies, news, review & more.

Camp Twilight follows six senior high school students who have been given the opportunity to make up for their failing grades by taking a weekend camping trip to a place called Camp Twilight (obviously). The students begrudgingly go with their principal Mr. Warner (Barry Jay Minoff of Among the Shadows and Looking Glass) and their annoyingly enthusiastic teacher Jessica (Felissa Rose of Sleepaway Camp fame). What starts out as a group of teenagers trying not to take everything seriously devolves into a panic-fueled nightmare full of murder and mayhem. While the teens attempt to figure out the mystery of Camp Twilight, the adults scramble to protect them against the dark legacy. Also See: 12 Hour Shift is a Twisted, Anarchic, Feminist AF Delight [Review] Camp Twilight, is as the title suggests, a must-see, slasher delight that I thoroughly enjoyed for several reasons. First off, the cast has diverse characters with fully fleshed out personalities. Especially as a person of color, whenever I see fellow POC in horror, I always have a hesitation, since the very real fear that they will just be archetypes is always lurking in the back of my mind. There are far too many horror movies that take particularly marginalized identities and turn these characters into ridiculous and offensive versions to be consumed by the viewer. Camp Twilight instead captures the authenticity of real people and the dialogue throughout is refreshingly, normal. That seems silly, but the conversations that people had between each other mirrored real discussions you would hear in real life. There are no over-explanations or exaggerated phrasing that makes no sense. Another concept that Camp Twilight hits right on the head is the constant suspense and drama throughout the film. Without giving away the twist, I actually had no idea who the slasher was until a chance scene where the lighting was just right. I was so shocked and even when the twist was revealed I was absolutely floored as the movie did not give any indication and without that scene, I would have been clueless. Camp Twilight does such a great job covering its tracks and not showing its hand that the third act is simply delightful. Speaking of lighting, that is the only major flaw in Camp Twilight, the lighting is too bright and breaks the fantasy at certain points. From the views of the location where Camp Twilight was filmed, it appears that the actual park would be insanely dark, but the lights overcompensate a little too much. Scenes that are supposed to be in the later hours of the night are questionable as far as time because of the staging and the lighting. Although this could be a product of budgeting or access to certain equipment, I think balancing and playing with shadows would have given Camp Twilight the extra edge it needed. The film features great performances, a fantastic storyline, and excellent comic relief, but with some editing love, it would be a well-crafted masterpiece. Overall, Camp Twilight is a refreshing, unique slasher that I think all horror fans will enjoy for the spooky season. Catch it on digital platforms on 11/01/2020. WICKED RATING:  8/10 Follow us on social media: Twitter, Facebook, and Instagram.

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Thursday, 22 October 2020

Actor Hawn Tran Talks Scare Package, Typecasting, and Lots More [Interview]


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Wicked Horror is the author of Actor Hawn Tran Talks Scare Package, Typecasting, and Lots More [Interview]. Wicked Horror is the internet's only horror fan site for free original horror movies, news, review & more.

Hawn Tran is the kind of actor you’ve probably seen in several different things without even realising. The Asian-American, who hails from Louisiana, has featured in plenty of horror over the years, both in movies and on TV from Ryan Murphy’s Scream Queens to Benson and Moorhead’s Synchronic.  With Scare Package, the diminutive, and deceptively innocent-looking actor almost steals the show out from under Byron Brown and Jeremy King, with whom he shares many of his scenes. Tran’s try-hard new employee at a video-store is actually hiding a dark secret and the actor rises to the occasion with aplomb. Wicked Horror nabbed Tran for a quick chat about scary movies, being typecast, and his ingenious trick to convince as both younger and older than he actually is. Related: Scare Package is a Near Perfect Horror Anthology [Review] WICKED HORROR: So I just spoke to Jeremy [King, who plays Rad Chad] and I’m going to start by asking you the same question I asked him; was this movie as fun to make as it was to watch? HAWN TRAN: Oh yes. It was a lot of fun to make, particularly because of all the practical effects and all that stuff. WICKED HORROR: How was the experience of working with him and Byron [Brown]? ‘Cause you guys are kind of in the video store together just riffing for a lot of the movie? HAWN TRAN: It was a blast. In fact, I knew Jeremy before, but that was the first time I met Byron. Jeremy and I were in Camera Obscura together a few years back but this was the first time we got to actually share scenes together. WICKED HORROR: You guys have such a natural rapport. Jeremy was saying you guys did a lot of improvising too. How difficult was it to find that chemistry, or did it come naturally to you guys? HAWN TRAN: It was actually very natural for us. We went out and had dinner together the night before, when we all first turned up on set, so we had the opportunity to get to know each other a little bit more before we shot anything. But those guys are quite outgoing and silly, and I’m playing more of the straight man, so it worked out perfectly. WICKED HORROR: Was that your favorite part of the shoot, working with those guys? HAWN TRAN: So, I would say yes but most of my segment is in the video store so I spent most of my time on set there, so yes. But on the other hand, the other segment I didn’t really see as much of them, I was kind of in the facility. WICKED HORROR: What about your death scene, how was that to shoot? HAWN TRAN: It was fun. I’ve never been killed onscreen before, so that was interesting. WICKED HORROR: How did you end up using your own name in the movie? HAWN TRAN: Basically, like I said, I’ve worked with Aaron and Cameron [Burns] before, on Camera Obscura, and so they reached out to me and they were like “we’re working on this movie, and there’s a part in it that you’d be perfect for” so I was like “cool, what’s the character’s name?” And they told me they were still writing it, but they asked me what name I would choose and I said, “well, it doesn’t really matter” so they were just like “okay well let’s just call the character Hawn” and I was like “that’s perfect.” It’s a really unique name, so it was pretty cool. WICKED HORROR: I’m guessing it wasn’t too much of a stretch for you then? HAWN TRAN: [laughs] No! But that’s really cool that you noticed my character’s name is Hawn and my name is also Hawn in the movie. WICKED HORROR: Well, like you said, it’s a unique name so it stuck in my head but then I thought maybe I was misremembering it. HAWN TRAN: No no, you got it! See Also: Actress Zoe Graham Talks Final Girls, Horror Movies, and Scare Package [Interview] WICKED HORROR: What was it that attracted you to the role? Aside from it being named after you of course. HAWN TRAN: Just being able to work with Aaron and Cameron again. Also, I’m not sure if you know what In-N-Out Burger is, but I’m from New Orleans and we don’t have In-N-Out but I love it so much that whenever I go out of town I have to have it. Aaron told me if I agreed to be in the movie he would buy me In-N-Out. So I was just like “I’m in, say no more.” So Aaron, Cameron, and In-N-Out burgers. WICKED HORROR: I think that’s the best answer I’ve ever got to that question. HAWN TRAN: The power of In-N-Out! WICKED HORROR: I noticed you’ve done a lot of horror, both on TV and in movies. Are you a horror fan yourself? HAWN TRAN: I get this question a lot. I do love watching horror movies but I’m one of those people who closes their eyes when they watch them, because I get scared so easily. But I keep getting cast in all these horror movies and TV shows, I don’t know what it is. So I’ve done a lot but I would say that yes, I am a fan of the genre because I grew up watching, you know, IT and A Nightmare on Elm Street. WICKED HORROR: I wonder if it’s because you have such a sweet, innocent look to you, so people just naturally want to put you in darker stuff? HAWN TRAN: Yeah, and it works! “There’s Hawn, he’s so innocent, let’s scare him.” WICKED HORROR: It’s funny, though, when I talked to your co-star Zoe Graham she said the same thing, that she finds horror movies really scary and tough to watch. It’s an interesting disconnect for people who actually star in horror movies. HAWN TRAN: Yeah, but it’s a love-hate thing for me because I’m scared of it but I also want to keep watching because I want to know what happens next. WICKED HORROR: Totally. What was the biggest challenge for you with Scare Package, if any? HAWN TRAN: I’m not used to dealing with all the blood, so the biggest challenge for me was any time I had to have a lot of blood in my mouth. That was the first time I’ve ever had to have fake blood in my mouth so that scene where I’m gagging, that was actually a real gag. I gagged because it tasted so bad. There was no acting involved in that scene, I was gagging for real. WICKED HORROR: What do you think is your character’s greatest strength? HAWN TRAN: This character seems so innocent and then it’s flipped around, a total 180, towards the end. So I really liked how this character flips. WICKED HORROR: Was that more fun to play, being a bit crazier at the end? HAWN TRAN: Yes, I actually enjoy playing bad guys but this only my third time playing a bad guy. The past couple times were in TV shows, so this is the first time I’m playing a bad guy in a movie. I always get cast as the good guy. WICKED HORROR: It’s because of how you look! You’re so sweet and innocent! HAWN TRAN: You know what’s funny? I actually played a 16-year-old in a movie and then like a year later, I played a 30-year-old in a TV show. I can go from looking like 16-year-old kid Hawn to bad-ass 30-year-old Hawn really easily. WICKED HORROR: That’s quite a talent. HAWN TRAN: I’m not sure if you’ve seen Santa Jaws, the movie on SyFy, but I play a 16-year-old kid in that and then a year later I played a 30-year-old in Watchmen on HBO. WICKED HORROR: So how do you go about choosing roles, then? HAWN TRAN: Now I get to choose a little more. A few years back, it was all typecasting, but now I’m a lot more comfortable, I know myself better, I know how to look the right way. Basically, my secret is this; if I need to play younger, I grow my hair out a bit longer and shave. If I need to play older, I just won’t shave for two weeks, cut my hair a little bit, and then I can play mid-twenties to thirties. That’s my secret! WICKED HORROR: That’s impressive. HAWN TRAN: As far as choosing roles, though, I just rely on my agent because I trust my agent and my manager 100 percent. So whatever they think is best for me, they’ll pitch me for it. WICKED HORROR: Do you feel like you’ve been a victim, or are a victim, of typecasting as an Asian actor? HAWN TRAN: Yes, definitely. You have to just embrace it. But I have to say, it’s a lot better now than it used to be, now it’s a lot more diverse. Typecasting is much better now than it used to be, that’s my honest opinion. WICKED HORROR: Even Scare Package is a good indicator of how things are changing. There are lots of women involved, POC, queer people. HAWN TRAN: It’s definitely…been a journey. Let me just say that, it’s been a journey. RLJE Films will release Scare Package On Demand, Digital, DVD, and Blu-ray on October 20, 2020 ** This interview has been edited and condensed for clarity

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Rad Chad Himself, Jeremy King, Chats Video Stores and Scare Package [Interview]


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Wicked Horror is the author of Rad Chad Himself, Jeremy King, Chats Video Stores and Scare Package [Interview]. Wicked Horror is the internet's only horror fan site for free original horror movies, news, review & more.

Jeremy King is a prolific and in-demand actor, having graced our screens for the past 15 years, popping up in the likes of I Like You and As Night Falls. His partnership with filmmaker Aaron B. Koontz has proven particularly fruitful for the Chicago native, however, with King appearing in Camera Obscura, western The Pale Door, and taking center-stage in Shudder’s celebrated horror-comedy anthology Scare Package. As the cowboy hat wearing, piranha-wrangling, JoeBob-worshipping video store owner Rad Chad, King has an absolute blast whether he’s tussling with diminutive co-star Hawn Tran or espousing the virtues of the best horror movies. Wicked Horror caught up with King to discuss failed piranha promotions, the importance of being allowed to play as an actor, and plenty more besides. Related: Scare Package is a Near Perfect Horror Anthology [Review] WICKED HORROR: First off, I have to ask; was this movie as fun to make as it was to watch? JEREMY KING: It was probably more to fun to make than it looks like it was [laughs]. When things got a little too out of control, we usually had to cut just ‘cause we had to get back to the story, so honestly it was probably more fun than it looks. WICKED HORROR: What was the best part for you, personally? Was it hanging out in the video store all day? JEREMY KING: Aw man… I can’t really put my finger on one thing because as I’ve been talking about it more, I’ve realised that every single section we filmed was just such an absolute blast for so many different reasons. Obviously, in the video store, I got to work with Byron [Brown] and Hawn [Tran] and those guys were both so funny together and in our scenes that literally I had a hard time keeping a straight face most of the time. There were more than a few takes screwed up by me laughing. And then, when you get into basically where I get abducted, now you’re working with a legend like JoeBob Briggs, a legend like Dustin Rhodes, who was the wrestler Goldust, and then you have everyone else in those scenes too – Chase Williamson, Zoe Graham, Josephine [McAdam], even Justin [Maina], who was the guy with the 18-pack abs, and was just a funny guy and a great guy to work with – the whole thing was kind of just, like you said, it was almost like being away at summer camp, and you didn’t want to leave. WICKED HORROR: What about your death scene? Was that good fun to film? JEREMY KING: [laughs] The best part of that was JoeBob had gone off to talk to Aaron Koontz, the director, and every time we would do a scene, he would go up to Aaron and be like “oh I think I’m gonna do this” or “I think I’m gonna change this” so I had no idea, at the point where he’s dying and I’m super upset and he sort of calls me down to him, I had no idea what he was going to say every single time. So just that in general. There’s also a moment where Zoe Graham comes running up to me and she puts her hand on my shoulder, I grab her hand, and I go “no, it’s my destiny” and we give each other this look. And I think that one, just itself, took around eight or ten takes. I don’t know whether it was late in the night when we filmed that one but neither of us could get through that scene either so, yeah, that was nuts. WICKED HORROR: But the physical elements don’t bother you? The blood and the prosthetics, you like all that stuff? JEREMY KING: I love doing prosthetics, I love doing all that stuff. When I get my arm ripped off, obviously they had to pin my other arm behind my back and kind of strap it up, but after a while my arm was cramping up so they would usually let me out of it in between takes while they were throwing all the extra blood on me, which was pretty cool. Any movie I’ve ever had to do prosthetics for, I actually really enjoy it, especially just seeing how they make all of it, I love seeing how all that fun stuff is done. WICKED HORROR: Are you a horror fan yourself? You sound like you are! JEREMY KING: I am. I grew up with all the classics like A Nightmare on Elm Street and Friday the 13th. I remember my dad took me to see Aliens when I was in second grade. I promised him, I swore to him, I was like “I will not have nightmares, you don’t need to worry about me” and he was like “I dunno, I really don’t think I should take you to see this” and literally I had nightmares about those aliens falling into the grass in front of my house and crawling into my bedroom for a solid two weeks after I saw that movie [laughs]. WICKED HORROR: What was it that attracted you to the role of Rad Chad himself? Was it a stretch for you, or did you slip into it pretty easily? JEREMY KING: The great thing is me and Aaron and the producer, Cameron [Burns], who was also a writer on it, we’ve worked together for a few different projects now, so they sort of told me what they had in mind probably about two years before we filmed. They were trying to originally put my character as sort of a cop or a detective and I was going to weave in and out of the different stories, but they just found that that was impossible to pull off and it was putting a lot of restraints on the other filmmakers as far as where their stories had to go. So I was kind of involved in the process all along and kind of got to shoot back and forth with them over different ideas for the character. Then, by the time we were shooting, I was super comfortable. Aaron had given me a list of 12 or 15 different movies to watch, just based around every single reference my character makes in the movie. And if I’d already seen the movie, it was just about going back and getting familiar with it again. Because sometimes when you see something as a kid or a teenager, you kind of forget the specifics. So by the time we filmed, I was definitely ready. WICKED HORROR: This is, like you said, your third collaboration with Aaron Koontz. What is it about that relationship that’s so fruitful for both of you, do you think? JEREMY KING: I think Aaron has a deep dislike for me deep down inside and he likes to see me die [laughs]. Honestly, though, the great thing about the relationship that Aaron and I have is that he lets me play when I get on set. There aren’t a lot of directors that would take the time to allow you to just explore a scene or to let you… You know, once we get good takes that are close to the script – he calls them “Jeremy takes” so he’ll be like “okay, let’s do some Jeremy takes” and we’ll all just let loose. A lot of the stuff that actually made it into the movie was just off the wall stuff where we all just went off the rails and they just kept filming. As an actor, you don’t really get a ton of projects that are like that. For me, it’s just an absolute blessing because it brings back that love you had for it in the beginning. That’s why you start doing it in the first place, it’s just to be creative and to just have fun, at the end of the day. WICKED HORROR: It really does have that improvisational feel to it, particularly the scenes with the three of you in the video store, which really just feel like you’re all standing around vibing off each other, shooting lines back and forth. It’s a very natural rapport. JEREMY KING: Yeah. Well, I mean, the great thing was once we were comfortable enough with the script – the scenes with me and Hawn, there’s a lot of very fast, rapid fire back and forth – and then Byron comes in and man that guy is so funny. Every time he would come in I would usually ruin a take because he’d throw me off and I’d just start laughing. Even behind the camera, I would watch their scenes even when I wasn’t on camera because I just loved watching them so much, and I remember the scene where he says the thing about Goldie Hawn, I think everybody on set laughed so hard that it absolutely ruined the first one or two takes because it was so ridiculous. See Also: Actress Zoe Graham Talks Scare Package [Interview] WICKED HORROR: It’s such a good line. Is there any difference between making a short like this that’s around thirty minutes – I know you pop up elsewhere, but still – and making a full length feature film? Did you feel rushed at all, or like you didn’t have enough time with any particular aspect of it? JEREMY KING: I actually felt like we had more time because of that. Aaron shoots things really tightly, he knows the shots he wants, he knows exactly what he needs to get before he moves on, so that actually gives us more time to let loose and play, like I said before. You’ll find with some directors they want to shoot it 85 different ways with 85 different angles, you know, they’ll shoot it super close, medium close, whatever, and it’s because they want to decide what they’re going to do with the movie in post, whereas I think Aaron has such a good grasp of what he wants beforehand, I felt like we had more time just because he did what he needed, he got what he wanted, and we’d move on. WICKED HORROR: Right, because he was so sure of his vision for this? JEREMY KING: Right, he knew coming in “these are the angles I’m going to use when I cut it,” like he already knows the cuts he’s going to use in his head so it’s not like 85 different angles once they got in the editing room. And, like I said, he’s great at scheduling too. A lot of a film comes down to pre-production, so if you schedule it properly and you give yourself extra time, because things are always going to come up, you know? I remember when they brought the piranhas in – they weren’t actually piranhas, I forget what they were, some kind of fish that looked like piranhas – but when they got them shipped in, two of them died during shipping so they had to rig them to make them look like they were moving if they were ever in the background of any of the scenes [laughs]. But it’s one of those things, it’s all a part of film-making, and you’ve just got to roll with the punches. WICKED HORROR: That is dark. That is a dark tidbit you just shared there. JEREMY KING: Yeah, if you go back and watch it, there’s one of the fish that you can definitely see is just moving up and down on a string, and just watching the setup of that was pretty funny [laughs]. WICKED HORROR: It’s kind of charming, in a clunky, sort of low budget horror kind of way. It’s fun. JEREMY KING: Oh yeah. It was the most ridiculous thing to watch and the fact that it took so much time to, like, rig up this fish to make it look like it was swimming the proper way instead of falling sideways or turning upside down. It was a pretty elaborate setup, actually. WICKED HORROR: And it probably isn’t at all convincing in the final shot. JEREMY KING: Which is even better, I think. It’s actually funnier that you have this ridiculous fish just floating around back there with a real fish. WICKED HORROR: Story-line wise, it makes sense to think that Chad himself might have put that back there and just rigged it up to try to convince people. It seems like something he would do. JEREMY KING: [laughs] It was from a failed promotion back in 2010, when Piranha came out, so the fish might have died and Chad might have set it up to make it look like it was still alive so he didn’t have to replace ‘em. I think Rad Chad would be on a pretty tight budget, judging by the amount of customers he gets in his store every day. Thank goodness he lives in his mom’s basement! WICKED HORROR: That’s right, no rent! JEREMY KING: No rent for Rad Chad [laughs]. RLJE Films will release Scare Package On Demand, Digital, DVD, and Blu-ray on October 20, 2020 ** This interview has been edited and condensed for clarity

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Wednesday, 21 October 2020

Keith Hopkins Informs and Entertains with The Horror Anthology Handbook


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Wicked Horror is the author of Keith Hopkins Informs and Entertains with The Horror Anthology Handbook. Wicked Horror is the internet's only horror fan site for free original horror movies, news, review & more.

October 27 is the official release date for filmmaker Keith Hopkins’ first book, which is now available for pre-order. Set to release in Kindle and paperback formats, The Horror Anthology Handbook is a non-fiction piece that appeals to both filmmakers and horror fans alike. Over a two-year timespan, the author interviewed multiple horror anthology filmmakers, and incorporated these interviews into his book. The interviews cover a range of filmmaker roles as well as films and series. Readers will gain insight into the making of titles such as: V/H/S, Trick ‘r Treat, Black Mirror, Goosebumps—plus many more. The interviews cover just one portion of the book. The handbook also contains a detailed history on horror anthology films from The Silent Era up until modern day. Hopkins’ book provides material that will educate and excite horror fans and provide inspiration for filmmakers. See also: Seven Forgotten Horror Anthology Movies That Beg For Rediscovery Keith Hopkins is the director of the film Gravedigger Dave’s Halfway House, which is available on Prime Video. He is currently accepting film short submissions for his next anthology project, Gravedigger Dave’s Anthology Festival. Submission information can be found here. Further information on  Hopkins and his work can be found on his official website.

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